Between skin, silence and vibration.
Zindering is a modular ceramic work developed around tactility, proximity and sound. Textured ceramic triangles are attached to a textile support, creating a flexible surface that hangs, folds or rests in space. The work behaves like a sleeping body: still at first, but charged with the possibility of response.
The installation investigates how ceramic material can become relational. The viewer does not only look at the work, but approaches it, activates it and changes its presence. Sound becomes a sculptural layer: subtle, bodily and connected to the idea of touch.
Research context
The work emerged from artistic research into moving ceramics, sensory experience and the viewer as co-creator. It brings together material repetition, textile support, electronic activation and a meditative sound layer.